29 December 2006
20 December 2006
17 December 2006
Project Row Houses
Houston artist Rick Lowe and his Project Row Houses is perhaps one of the the most inspiring art projects I have heard of, read about, and thought about all 2006 long. Inspired by the painting of John Biggers and the vision to answer the question "what are you doing to make things better?", Lowe weaves a tight a relational narrative. Brilliant.
Read the NY Times article or visit the official website.
03 December 2006
St. James, Director for Special Projects for the State of Eternity
Daniel Baumann came by the gallery today and talking with him and Ann Webb about some work I made in Korea, it boggled my mind to forget this dude's name. Today I found him again:
James Hampton.
30 November 2006
28 November 2006
Too Much
Too much.
There's a biennale that opens every 3 days. So they're making a biennale that deals with that very matter.
Avatar portraiture by net pioneers 0100101110101101.org
One of the the craziest design websites I have seen in a while has the gayest preloader ever.
Bad t-shirts are so good.
I know what exactly what I would do with this font. Magic.
Too much that I can't even bring myself to write. The internet is so unreal and the world of objects, physical exchanges and realness is reigning.
Above: Tal R, Melody, 2003 --- Saatchi Collection
19 November 2006
6th International Caribbean Biennial
I was reading a book in the book store today after having a tea with Shaun this evening. The book was a whole bunch of interviews with living artists. I decided to read about Maurizio Cattelan. And stumbled into an adventure starring: Olafur Eliasson, Gabriel Orozco, Tobias Rehberger, Pipilotti Rist, Vanessa Beecroft, Rirkrit Tiravanija and others... 6th International Caribbean Biennial
Photo: Vanessa Beecroft
17 November 2006
Wheat Rice Millet Barley Rye Corn Oats
Small, round, and shiny is at once recognizable as a button pin. Its material lends the piece a number of meanings: part fashion, part art and part do-it-yourself homage. Polished, monotone, and missing a graphic statement like most buttons, the piece presents a blank, yet reflective, statement about statements. In his own words Tonik suggests: "It's quite simple, man: I had this idea for a solid gold button and then I went and I made it. I showed it to a few people. They want to touch it. I don't know what it means but I've been thinking about environment lately: granola, organic food, Greenpeace, give-a-hoot-don't-pollute and all that. It's sparkle is star shine like and there's seven of them; seeds for the beginning of history you know what i mean?"
It's the new millenium. Snap out of candy land kids.
31 October 2006
How much will it cost?
25 October 2006
Displacement (with Chinese characteristics)
Will Kwan presents his latest project Displacement (with Chinese characteristics) in Shanghai at the Shanghai Duolun MoMA. Juxtaposing earth work conceptualism against the rebuilding and rise of China, Will creates a massive yet ephemeral earth work. The change and shift of the local Shanghai landscape, aided by the banks no doubt, takes form of a huge logo: a sly commentary about the change and shift of the global landscape. Though it's probably not large enough to be seen from space with the naked eye, a little geotagging would make it as easily found as it's conceptual patriarch Spiral Getty. In a way, it's an parallel comment like that of Anish Kapoor's Sky Mirror in New York (for another few days).
If you're in Shanghai, there's an opening on Friday night at 19:00.
Image from: Shanghai Duolun MoMA
23 October 2006
22 October 2006
Bots, readymades, and curating
15 October 2006
Genius, autism and the male biological clock
Karen van Hahn makes a fairly potent argument that males, like women, have a biological clock ticking away. The revelation that men who seed a child over the age of 40 are nearly 6 times as likely to have a child with autism as compared to men under the age of 30. All Saturday morning I was kind of bummed out by that news. I've had it in my mind to have kids when I'm 48 or so. I'm not financially equipped nor am I nearly grown up (read: responsible) enough to have steady girlfriend and the thought of having a child before my late 40's just doesn't gel well. So I was bummed. But things always have silver linings. And I worked that Saturday long and hard and when I came home again there was an email from Camillo marked with a subject of "Inspiration". The email containted not one but two links. The silver lining turns out to be the opportunity, at an advanced age, to father a savant. And then I thought that might suck anyway... but then I thought about all the "healthy" people I know. I think I need some retards in my life.
-
Image: Sabina Sciubba, lead singer of The Brazilian Girls, speaks 6 languages and mixes them lovingly in her lyrics.
12 October 2006
10 October 2006
Flat Daddy
Reading my morning news over at Tyler Green's blog I come across a very interesting post about Niagara Falls and the photography of Alec Soth. So I go check out his blog and get to the topic of: Flat Daddies. The American National Guard is providing paper cutouts to the familes of deployed service members as a way to ease the pain of separation. Supposedly, it's working but it's bizarre.
09 October 2006
What would you die for?
Who really cares?
To save a world in despair
Who really cares?
Who's willing to try
Yes, to save a world
Yea, save our sweet world
Save a world that is destined to die
© Marvin Gaye
-
The only thing on my mind today.
06 October 2006
04 October 2006
Driving home yesterday
02 October 2006
But is it thievery?
An interesting story about a couple Indian thieves in Kyrgyzstan. The thieves use hypnosis on the bank tellers who then willingly hand over cash amounts. It's a wonderful Jedi mind trick but is it theft if the money is handed over willingly? Is the hypnosis as violent as a gun crammed against the cranium?
27 September 2006
25 September 2006
Psychedelic Spaniard
Santiago Calatrava is just amazing. I didn't realize that he was responsible for the Allen Lambert Galleria at BCE place in Toronto but I do now. His designs are both organic and natural looking because of their immediate references to nature (the BCE ceiling reminds me of palm trees) but they also seem to create a landscape fit for aliens. Looking at his designs one gets the feeling this is not for planet Earth. They are reminscent of Gehry's Bilbao and Disney designs but I think they, at least on surface, take a more radical departure from the norm. Two residential projects are note worthy: 1. The Turning Torso in Malmo & 2. A yet to be built residential highrise in New York City are both very bold.
*applause
21 September 2006
Why is art important?
Jerry Saltz in the Village Voice answers some big questions. He does an excellent job too. No further comment.
Image:
Diego Velázquez
Dwarf Sitting on the Floor (Don Sebastián)
1645, oil on canvas, 106x81cm
Collection of The Prado, Madrid, Spain
17 September 2006
Banksy in the City of Angels
Banksy is at it again.
he says:
1.7 billion people have no access to clean drinking water. 20 billion (sic) people live below the poverty line. Every day hundreds of people are made to feel physically sick by morons at art shows telling them how bad the world is but never actually doing something about it. Anybody want a free glass of wine?
All this regarding... a painted elephant?
The elephant looks wicked. But its logic is a stretch. Maybe you can use the system to subvert it but you can't be against the system and be within the system. (Or can you?) I understand he doesn't like the art world but he's not exactly feeding the poor with his scathing critique is he? His binary critical art stance is kind of tired. It's so... 20th century, so... last millenium.
I'm sitting here comfortable in my 1st world home giving Banksy the gas face.
Photo: Marissa Roth for The New York Times
12 September 2006
The art of Tara Donovan
Tara Donovan is a little bit like Brian Jungen, in that she takes common everyday objects and puts her alchemical touch on to them, and poof! out comes a seductive visual experience.
What intrigues me about both Donovan and Jungen, is that they are essentially making readymades: twisted and altered readymades. All is reinvented but nothing is really "invented". It's interesting to me because it inverts Duchamp's wish to infuse art with a degree of cerebrality - which at the time of The Fountain in 1917 was lacking - because of the high visual nature within the reigning aesthetic at the time: cubism. Donovan, more so than Jungen, uses visuals to outwit intellectualisms. I can't say that's a bad thing either.
Photos : Ace Gallery
09 September 2006
08 September 2006
from the trash...
to: me
subject: Hey Tommie Check Out This Watch
I had a meeting to attend to, and I needed something classy yet professional to wear. One of my friends told me about your
website and I've seen him wearing one of your watches, but I was still sceptical to buy a replica watch. I took my chance
though, and ordered a Rolex from your website. When I received it, I was definitely impressed, but wasn't sure if my
associates would be able to tell it's a replica. But when I showed up to the meeting, they couldn't take their eyes off of
my new watch. This watch gave me what I was looking for, classy style, with a touch of professionalism.
- Timmy S.,
Go To http://www.yeallowsparkz.com
---
Best piece of spam I ever got.
*
Exciting times we live in friend... Today was so beautiful, I could pour out an entire novel about the shine of today's moments. But I'm le tired.
31 August 2006
Addressing Orientalism
29 August 2006
Jermey Laing
If you're like me, you're a little bit tired of t-shirts and strategically torn jeans that pass as fashion on our streets, then you'll be happy to look at what Jeremy Laing is creating. Perhaps it's not street fashion per se but it is fresh. And I'm terrifically happy to see it. A Toronto kid no less. Laing launches his Spring/Summer 2007 collection at 11 am, Saturday, September 9 2006 at 601 Studios - 601 West 26TH Street, 16th Floor, New York, NY. If you're in the area, go check it out for me.
08 August 2006
03 August 2006
31 July 2006
Cocaine Karaoke - July!
So I finally got my self organized and got me a flickr account and have uploaded my photos there. Thanks for the fun times.
28 July 2006
The painting of Luc Tuymans
Personally, I'm not feeling Luc Tuymans aesthetic a whole lot, but some other people are... some of his pieces have a nice type of ephemeral, nostalgic glow - like they are representing the not too distant future.
Image: www.artserver.be
26 July 2006
24 July 2006
2 things for tomorrow...
The second is a small art piece in... a show. one by one is a benefit to help some down and out youth in Kenya. Works on the theme of change, including one by yours truly, are being raffled off for the cause. So come out, blow some dough, buy some art, make an investment, make a friend, and don't go home alone.
27 June 2006
26 June 2006
Started kissing everything in sight...
I've been super lazy on this blog. And I'll continue to be super lazy on it as long as the summer is here and I'd rather spend every minute possible in the sun sweating & smiling. But here's 3 links for you to check out:
1. Oliver is killing it with summer tunes.
2. For anyone in Miami with a tongue for Africa, go have photographic taste.
3. Check out El Michels Affairs instrumental of the Wu's C.R.E.A.M. Lovely.
Photo: my studio, late at night on June 21, 2006.
23 June 2006
Will Kwan in Porto, Italy
AROUND
Bernardo Giorgi
Carl Michael von Hausswolff
Will Kwan
Henrik Plenge Jakobsen
a cura di Gigiotto Del Vecchio
30 Giugno fino al 15 Settembre 2006
Opening 30 Giugno, 18:00
Galleria Enrico Fornello
Via Paolini, 27 - 59100, Prato, Italy
Tel.+39.0574462719
www.enricofornello.it
++++++++++
AROUND
Bernardo Giorgi
Carl Michael von Hausswolff
Will Kwan
Henrik Plenge Jakobsen
curated by Gigiotto Del Vecchio
30 June - 15 September 2006
Opening 30 June, 6pm
Galleria Enrico Fornello
Via Paolini, 27 - 59100, Prato, Italy
Tel.+39.0574462719
www.enricofornello.it
20 June 2006
Mobb Deep Video Special
Put em in Their Place
Cobra
In the culture of hip hop, where posturing is sometimes seemingly everything, it's always refreshing to see Mobb Deep do their best. They don't shift their image, they don't play nice for kicks, they aren't rhyming about the newest fashion but instead they consistently do what they're excellent at: posturing as the toughest tough guys in hip hop. The Shook Ones Pt. 2, my personal favourite, is a super straight forward video. The director weaves short street narratives with straight up shots of Havoc & Prodigy addressing the viewer. The weave is uncluttered and just seems to honour the uncluttered rhymes and dark beats. Cobra, makes a nice little reference to La Haine or maybe they just shot that video in Paris. Either way, branding strategists take note.
Your crew is featherweight / My gun shots make you levitate.
I'm baaaaaaaaaack
Sometimes I fantasize about living on the side of a mountain in Asia, twirling cherry blossoms in my fingers and stuff, but then I get online and it's nicer being a hermit while still connected to the entire universe. Hello World.
The above image is an early map of the Internet - from back when it was still known as ARPANET and everything. It's from March 1977 actually. That's not that old considering color monitors weren't common place back then.
I need some help putting together a map of a complex community. Holla!
Image via: Visual Complexity
19 June 2006
13 June 2006
Locked Out - Day 14
I'm still alive.
Barely.
I'm disjointed. Relationships seem severed, slightly. I feel out of touch. I can't google things, and can't waste time checking stuff needlessly, I don't know who has messaged me on myspace. Email all of a sudden has taken a back seat to telephone. Telephone is more immediate, less mediated, and more live. The reliance on phone in a way, has freed me. But I know I'm constricted in a different way.
I haven't been downloading music or getting steady porn or reading my blogs and net hook ups are brief; when I do get internet, I download my email and send my email out. The computer is less terminal and less communication hub and more tool. My work, when I use this tool for work, is focused. When I force music out of this harddrive, the music seems purposeful. It's also because I'm on a Mac now. It's apples and oranges. It's a computer but it's pedigree is else.
Poland plays Germany. I don't know what time. To check online seems laborious. I wish I could turn on the TV. No TV. No Cable. I'm at a internet cafe anyway. Different mediums for different purposes.
Mediums & Massages. It all kind of makes more sense now, Marshall.
Damn I need a neck rub.
04 June 2006
Minor deadlines. Visitors from foreign places. A hunt for a new place to live. Then my computer dies. Dang. Deadlines are dead. The mini heat wave rolls through. Visitors go. I move. Then I buy a Apple 12" PowerBook G4.
Can you say flux?
My new place is lovely. 2 rooms, no roommates, sunny, a balcony and small little jaunt from the park, and just past the park all the shopping I'll ever need. However, my new place is in need of a love seat, some chairs, a table, and a dish rack. Buy me a Marc Newson designed Dish Doctor. I love you.
P.S. Damian Hirst is at it again in a big way.
26 May 2006
The painting of Dana Schutz
Twister Mat
Sword Rack
Death Comes To Us All
Kineko Ivic, in introducing the painting of Dana Schutz to me, described her work being painted by a person who is "obviously a genius." I looked her up and wasn't convinced. It's witty and smart but for me it kind of echoes too greatly of early 20th surrealism. It has a similar wimsy to that of Marcel Dzama but also shares Dzama's certain lack of cerebral lack of engagement. Where Dzama is an illustrative painter to the point of seeming to be an illustrator stuck in the art world loop, Dana Schutz seems to be milking Dali-esque devices like strange landscapes inhabited by wierd objects. Even though, she's young and important painter in the 2006 art world. Which either makes me think the art world is messed up or I'm just not understanding something that everyone obviously is... so I started looking for positives in her work. In Death Comes To Us All I really enjoy the elegantly rendered hand holding a cigarette with the elegant mess of a torso on the figure; that yellow pylon and the matching street stripe complementing one another like bricks and mortar. I began to enjoy her lyrical rendering juxtaposed against her lyrical messes, even though they heavily relying on de Kooning devices. But I'm still not hailing her as an obvious genius. Her art, like so much art, is still investigating the bleakness, the strangeness of life, the inevitableness of death in life, and just more or less offers little hope. Perhaps that's why the art world acknowledge's her as important; perhaps the world of 2006 in general can identify with those ideas than their positive counterparts.
Images from: Saatchi Gallery
23 May 2006
May Cocaine Karaoke
15 May 2006
In the month of May I...
Welcome to Tonik World. We're everywhere where you are... this week I can be found all over.
1. On Thursday May 18th in the evening, I'll be in the East end. Don't call it a comeback but gltss cofounder Shaun Dhani and I will be doing a collabo live painting for I AM A WILD PARTY in the Toronto Free Gallery at 660 Queen St East. You can thank Zinc Roe for the fun. Should be right on and far out... come by and I'll buy you a beer.2. A little more central in the city on Friday May 19th in the morning, from about 8:30 to 10:30 or so, at 247 Augusta Avenue in Kensington Market, I'm going to be having a bit a Happy Birthday sale. I'm not telling you what I'm selling - you'll just have to come by and see, yeah?
3. And finally on Queen west west, on Sunday May 21st all day long, at Paul Petro Multiples + Small Works at 962 Queen St. West, Paul Petro is going provide the music and I'm selling all my t-shirts, my Gucci sunshades, my furry Kangols, my shoe collection, all my Polo, my Italian suit, and all my socks and dirty underwear. Okay, maybe not my socks and undies but I'm selling my entire wardrobe. At the end of the day I'm going to kick back a portion of my profits to Youth Assisting Youth and everything. So come for the tunes, buy some art from Paul or just come and get me naked. I'm Selling The Shirt Off My Back.
Bisoux,
tonik
06 May 2006
Chris Ofili's "The Blue Rider"
Photos: Jan Bauer, CFA Berlin
02 May 2006
Glenn Ligon in Artforum
Glenn Ligon has this wicked way of working with text. I'm not too crazy about some of his work, but when you can pull off text art, not many artists can, then you have my respect. Ligon's Warm Broad Glow above,is proof he can get it just right. Read Richard Meyer's artforum essay about it all, it's worth it.
Photo: Rick Gardner via artforum.com
27 April 2006
Jude Tallichet's C Note
A 1:1 aluminum coconut with the words "In God We Trust" stamped into it. Lovely.
Photo: Cabinet Magazine