25 September 2006

Psychedelic Spaniard


Santiago Calatrava is just amazing. I didn't realize that he was responsible for the Allen Lambert Galleria at BCE place in Toronto but I do now. His designs are both organic and natural looking because of their immediate references to nature (the BCE ceiling reminds me of palm trees) but they also seem to create a landscape fit for aliens. Looking at his designs one gets the feeling this is not for planet Earth. They are reminscent of Gehry's Bilbao and Disney designs but I think they, at least on surface, take a more radical departure from the norm. Two residential projects are note worthy: 1. The Turning Torso in Malmo & 2. A yet to be built residential highrise in New York City are both very bold.

*applause

21 September 2006

Why is art important?



Jerry Saltz in the Village Voice answers some big questions. He does an excellent job too. No further comment.

Image:

Diego Velázquez
Dwarf Sitting on the Floor (Don Sebastián)
1645, oil on canvas, 106x81cm
Collection of The Prado, Madrid, Spain

17 September 2006

Banksy in the City of Angels


Banksy is at it again.

he says:

1.7 billion people have no access to clean drinking water. 20 billion (sic) people live below the poverty line. Every day hundreds of people are made to feel physically sick by morons at art shows telling them how bad the world is but never actually doing something about it. Anybody want a free glass of wine?

All this regarding... a painted elephant?

The elephant looks wicked. But its logic is a stretch. Maybe you can use the system to subvert it but you can't be against the system and be within the system. (Or can you?) I understand he doesn't like the art world but he's not exactly feeding the poor with his scathing critique is he? His binary critical art stance is kind of tired. It's so... 20th century, so... last millenium.

I'm sitting here comfortable in my 1st world home giving Banksy the gas face.

Photo: Marissa Roth for The New York Times

12 September 2006

The art of Tara Donovan





Tara Donovan is a little bit like Brian Jungen, in that she takes common everyday objects and puts her alchemical touch on to them, and poof! out comes a seductive visual experience.

What intrigues me about both Donovan and Jungen, is that they are essentially making readymades: twisted and altered readymades. All is reinvented but nothing is really "invented". It's interesting to me because it inverts Duchamp's wish to infuse art with a degree of cerebrality - which at the time of The Fountain in 1917 was lacking - because of the high visual nature within the reigning aesthetic at the time: cubism. Donovan, more so than Jungen, uses visuals to outwit intellectualisms. I can't say that's a bad thing either.

Photos : Ace Gallery

08 September 2006

from the trash...

from: kwhoneybaby@gjmxobgbj.nu
to: me
subject: Hey Tommie Check Out This Watch

I had a meeting to attend to, and I needed something classy yet professional to wear. One of my friends told me about your
website and I've seen him wearing one of your watches, but I was still sceptical to buy a replica watch. I took my chance
though, and ordered a Rolex from your website. When I received it, I was definitely impressed, but wasn't sure if my
associates would be able to tell it's a replica. But when I showed up to the meeting, they couldn't take their eyes off of
my new watch. This watch gave me what I was looking for, classy style, with a touch of professionalism.

- Timmy S.,

Go To http://www.yeallowsparkz.com

---

Best piece of spam I ever got.

*

Exciting times we live in friend... Today was so beautiful, I could pour out an entire novel about the shine of today's moments. But I'm le tired.

31 August 2006

Addressing Orientalism

Jamelie Hassan's recent exhibit Orientalism and Ephemera had me thinking and I bought Edward Said's seminal masterpiece Orientalism and I've been reading it and have been made aware of ideas of human race divisions on an entirely new level. It is a tough but interesting read so it's a bit of a joyful thing to read about some guerrila performance art aimed at American art star Matthew Barney and his lovely European wife, Bjork at Barney's opening at the SFMOMA. Interesting. It's nice to have some real world examples to help me understand all this... I'll be sure to get back to reading Orientalism.

29 August 2006

Jermey Laing


If you're like me, you're a little bit tired of t-shirts and strategically torn jeans that pass as fashion on our streets, then you'll be happy to look at what Jeremy Laing is creating. Perhaps it's not street fashion per se but it is fresh. And I'm terrifically happy to see it. A Toronto kid no less. Laing launches his Spring/Summer 2007 collection at 11 am, Saturday, September 9 2006 at 601 Studios - 601 West 26TH Street, 16th Floor, New York, NY. If you're in the area, go check it out for me.

31 July 2006

Cocaine Karaoke - July!


So I finally got my self organized and got me a flickr account and have uploaded my photos there. Thanks for the fun times.

28 July 2006

The painting of Luc Tuymans



Personally, I'm not feeling Luc Tuymans aesthetic a whole lot, but some other people are... some of his pieces have a nice type of ephemeral, nostalgic glow - like they are representing the not too distant future.

Image: www.artserver.be

24 July 2006

2 things for tomorrow...

Okay, the 1st is Cocaine Karaoke July 2006 Edition...




The second is a small art piece in... a show. one by one is a benefit to help some down and out youth in Kenya. Works on the theme of change, including one by yours truly, are being raffled off for the cause. So come out, blow some dough, buy some art, make an investment, make a friend, and don't go home alone.

26 June 2006

Started kissing everything in sight...


I've been super lazy on this blog. And I'll continue to be super lazy on it as long as the summer is here and I'd rather spend every minute possible in the sun sweating & smiling. But here's 3 links for you to check out:

1. Oliver is killing it with summer tunes.

2. For anyone in Miami with a tongue for Africa, go have photographic taste.

3. Check out El Michels Affairs instrumental of the Wu's C.R.E.A.M. Lovely.

Photo: my studio, late at night on June 21, 2006.

23 June 2006

Will Kwan in Porto, Italy

The amazing Will Kwan has something happening in Italy. I'm totally too far to check in to it, but if you're anywhere closer... it's probably quality. Go, have a look, and let me know about it. More info:

AROUND

Bernardo Giorgi
Carl Michael von Hausswolff
Will Kwan
Henrik Plenge Jakobsen

a cura di Gigiotto Del Vecchio

30 Giugno fino al 15 Settembre 2006
Opening 30 Giugno, 18:00

Galleria Enrico Fornello
Via Paolini, 27 - 59100, Prato, Italy
Tel.+39.0574462719
www.enricofornello.it

++++++++++

AROUND

Bernardo Giorgi
Carl Michael von Hausswolff
Will Kwan
Henrik Plenge Jakobsen

curated by Gigiotto Del Vecchio

30 June - 15 September 2006
Opening 30 June, 6pm

Galleria Enrico Fornello
Via Paolini, 27 - 59100, Prato, Italy
Tel.+39.0574462719
www.enricofornello.it

20 June 2006

Mobb Deep Video Special

Shook Ones Pt. 2


Put em in Their Place


Cobra


In the culture of hip hop, where posturing is sometimes seemingly everything, it's always refreshing to see Mobb Deep do their best. They don't shift their image, they don't play nice for kicks, they aren't rhyming about the newest fashion but instead they consistently do what they're excellent at: posturing as the toughest tough guys in hip hop. The Shook Ones Pt. 2, my personal favourite, is a super straight forward video. The director weaves short street narratives with straight up shots of Havoc & Prodigy addressing the viewer. The weave is uncluttered and just seems to honour the uncluttered rhymes and dark beats. Cobra, makes a nice little reference to La Haine or maybe they just shot that video in Paris. Either way, branding strategists take note.


Your crew is featherweight / My gun shots make you levitate.

I'm baaaaaaaaaack


Sometimes I fantasize about living on the side of a mountain in Asia, twirling cherry blossoms in my fingers and stuff, but then I get online and it's nicer being a hermit while still connected to the entire universe. Hello World.

The above image is an early map of the Internet - from back when it was still known as ARPANET and everything. It's from March 1977 actually. That's not that old considering color monitors weren't common place back then.

I need some help putting together a map of a complex community. Holla!

Image via: Visual Complexity

13 June 2006

Tyrus's grin

He's gonna be a trouble maker.

Locked Out - Day 14

I haven't had steady internet for 14 days now.

I'm still alive.

Barely.

I'm disjointed. Relationships seem severed, slightly. I feel out of touch. I can't google things, and can't waste time checking stuff needlessly, I don't know who has messaged me on myspace. Email all of a sudden has taken a back seat to telephone. Telephone is more immediate, less mediated, and more live. The reliance on phone in a way, has freed me. But I know I'm constricted in a different way.

I haven't been downloading music or getting steady porn or reading my blogs and net hook ups are brief; when I do get internet, I download my email and send my email out. The computer is less terminal and less communication hub and more tool. My work, when I use this tool for work, is focused. When I force music out of this harddrive, the music seems purposeful. It's also because I'm on a Mac now. It's apples and oranges. It's a computer but it's pedigree is else.

Poland plays Germany. I don't know what time. To check online seems laborious. I wish I could turn on the TV. No TV. No Cable. I'm at a internet cafe anyway. Different mediums for different purposes.

Mediums & Massages. It all kind of makes more sense now, Marshall.

Damn I need a neck rub.

04 June 2006

It's been hectic.

Minor deadlines. Visitors from foreign places. A hunt for a new place to live. Then my computer dies. Dang. Deadlines are dead. The mini heat wave rolls through. Visitors go. I move. Then I buy a Apple 12" PowerBook G4.

Can you say flux?

My new place is lovely. 2 rooms, no roommates, sunny, a balcony and small little jaunt from the park, and just past the park all the shopping I'll ever need. However, my new place is in need of a love seat, some chairs, a table, and a dish rack. Buy me a Marc Newson designed Dish Doctor. I love you.

P.S. Damian Hirst is at it again in a big way.

26 May 2006

The painting of Dana Schutz


Twister Mat


Sword Rack


Death Comes To Us All

Kineko Ivic, in introducing the painting of Dana Schutz to me, described her work being painted by a person who is "obviously a genius." I looked her up and wasn't convinced. It's witty and smart but for me it kind of echoes too greatly of early 20th surrealism. It has a similar wimsy to that of Marcel Dzama but also shares Dzama's certain lack of cerebral lack of engagement. Where Dzama is an illustrative painter to the point of seeming to be an illustrator stuck in the art world loop, Dana Schutz seems to be milking Dali-esque devices like strange landscapes inhabited by wierd objects. Even though, she's young and important painter in the 2006 art world. Which either makes me think the art world is messed up or I'm just not understanding something that everyone obviously is... so I started looking for positives in her work. In Death Comes To Us All I really enjoy the elegantly rendered hand holding a cigarette with the elegant mess of a torso on the figure; that yellow pylon and the matching street stripe complementing one another like bricks and mortar. I began to enjoy her lyrical rendering juxtaposed against her lyrical messes, even though they heavily relying on de Kooning devices. But I'm still not hailing her as an obvious genius. Her art, like so much art, is still investigating the bleakness, the strangeness of life, the inevitableness of death in life, and just more or less offers little hope. Perhaps that's why the art world acknowledge's her as important; perhaps the world of 2006 in general can identify with those ideas than their positive counterparts.

Images from: Saatchi Gallery

23 May 2006

May Cocaine Karaoke

Cocaine Karaoke - Saturday May 27, 2006 - not my dog - Deejay Gramera & Deejay G-Spot - 10pm - $5 or whatever - 1,000,000 milligrams = 1000 grams = 1 kilogram -

15 May 2006

"What's Going On / What's Happening Brother"

In the month of May I...


Welcome to Tonik World. We're everywhere where you are... this week I can be found all over.

1. On Thursday May 18th in the evening, I'll be in the East end. Don't call it a comeback but gltss cofounder Shaun Dhani and I will be doing a collabo live painting for I AM A WILD PARTY in the Toronto Free Gallery at 660 Queen St East. You can thank Zinc Roe for the fun. Should be right on and far out... come by and I'll buy you a beer.

2. A little more central in the city on Friday May 19th in the morning, from about 8:30 to 10:30 or so, at 247 Augusta Avenue in Kensington Market, I'm going to be having a bit a Happy Birthday sale. I'm not telling you what I'm selling - you'll just have to come by and see, yeah?

3. And finally on Queen west west, on Sunday May 21st all day long, at Paul Petro Multiples + Small Works at 962 Queen St. West, Paul Petro is going provide the music and I'm selling all my t-shirts, my Gucci sunshades, my furry Kangols, my shoe collection, all my Polo, my Italian suit, and all my socks and dirty underwear. Okay, maybe not my socks and undies but I'm selling my entire wardrobe. At the end of the day I'm going to kick back a portion of my profits to Youth Assisting Youth and everything. So come for the tunes, buy some art from Paul or just come and get me naked. I'm Selling The Shirt Off My Back.

Bisoux,

tonik

06 May 2006

Chris Ofili's "The Blue Rider"




Dubbed as Ofili's sculptural debut and/or his blue period, The Blue Rider happened late 2005 at Contemporary Fine Arts in Berlin. The dots seem to be gone and the blue is creepily deep. The installation shots of the exhibition, with dark floors, white walls and blue works makes the space look oceanic or even heavenly. Just what is about blue?

Photos: Jan Bauer, CFA Berlin

02 May 2006

Glenn Ligon in Artforum


Glenn Ligon has this wicked way of working with text. I'm not too crazy about some of his work, but when you can pull off text art, not many artists can, then you have my respect. Ligon's Warm Broad Glow above,is proof he can get it just right. Read Richard Meyer's artforum essay about it all, it's worth it.

Photo: Rick Gardner via artforum.com

27 April 2006

Jude Tallichet's C Note


A 1:1 aluminum coconut with the words "In God We Trust" stamped into it. Lovely.

Photo: Cabinet Magazine

22 April 2006

Spring on a Thursday evening







Mostly on Dundas Street West between Crawford Street and Ossington Avenue. The gardener, there, he's on Shaw Street; as is the shot of the CN Tower.

10 April 2006

On my way home tonight

The CN tower from the top of Churchill Avenue



Infills & a truck on Skey Lane


Rusholme Road


le gallery on Dundas Street West

06 April 2006

3 Photos from early 2006



One of these photographs I didn't have the joy of snapping; I like that one the best.

01 April 2006

April Fools!


That Gordon Lightfoot couplet I wrote about the other day has been floating about in my head, so you know what I did? I found the song, that the couplet comes from, for you. Gordon Lightfoot has a simliar melancholic drone that Leonard Cohen sometimes has, and the same celebratory joy in his music that Leslie Feist sometimes has.

It's kind of a good break up song too.

Gordon Lightfoot - If you could read my Mind

PS. Today marks 1 year of not having a 9 to 5 gig. It feels great. I encourage you today to find less soul sucking means of supporting your self if you're one of those people who thinks their soul is getting sucked.

I ain't gonna work for no soul sucking jerk, I'm gonna take it all back, and I ain't saying jack © Beck